*Graduate Seminar in Bibliography & Research
*Graduate Seminar in Film Music
*Graduate Seminar in 20th-century Opera
*Graduate Seminar in Performing Practices
*Graduate Seminar in Music, Gender, & Sexuality
*Graduate Seminar in 20th-c. Musical Modernism
*Music Fundamentals for Elementary Education
“Beyond Diversity and Inclusion: Antiracist Teaching and Advocacy in the Music Appreciation Curriculum” in Teaching and Learning Difficult Topics in the Music Classroom, Laura Moore Pruett and Olivia Lucas, eds. University of Michigan Press [Forthcoming/under contract].
Introduction to Contemporary Techniques for the Oboe: A Progressive Method. Tallevast, FL: TrevCo Music Publishing [Forthcoming].
“John Cage’s ‘Rock’ Music: Ecocritical and Performance Considerations in Ryoanji for Solo Oboe and Percussion Obbligato (1983).” DMA, diss.: University of Southern Mississippi, 2019.
Literature Review [invited by editor]: “William Cheng, Just Vibrations: The Purpose of Sounding Good.”American Music 36/2 (Summer 2018).
Multimedia Review [invited by editor]: “Benjamin J. Harbert, Follow Me Down: Portraits of Louisiana Prison Musicians.” Journal of the Society for American Music 10/2 (May 2016).
Literature Review: “Standish D. Lawder, The Cubist Cinema” (New York: New York
University Press, 1975). Published in “The Exhibition of Clarence Laughlin’s Surrealist Collection” by Louisiana State University.
Literature Review: “Amos Vogel, Film as a Subversive Art” (New York: Random House, 1974). Published in “The Exhibition of Clarence Laughlin’s Surrealist Collection” by Louisiana State University.